Eventually, these questions and concerns drove me to delve into what can only be described as philosophy – what does it mean to be human? How do you explain the state of being human to someone who knows nothing of it? Thus, Rhys of Earth was born.
My first task was to somehow create a world wherein a human (mostly human individual) knew nothing of what sets humans apart from other species. Music, literature, emotion, written word and expression, philosophy, and ethics – all of these had to be stripped away from the protagonist. My goal was to reveal to Rhys Falkrow, the main character, all of these elements in due course and essentially observe how he (and his sister) put them to use. While the book itself did not require special travel, it most certainly necessitated extensive research. Not only did I need to learn various forms of physics to explain in detail the science of flight, sailing, and aerodynamics, but I had to create ships, tools, and mechanisms that exist only in this post-apocalyptic world. With the aid of my husband who is a mechanical engineer and my father who was a pilot, I was able to accurately write and describe these new fictitious tools. |
They Were Where for How Long? |
Mock-Up Covers |
Yup, even I had a hard time keeping up with where Rhys was throughout Rhys of Earth. The book flaunts a timeline that seems expansive and yet, the entire story takes place in the time span of about two months! Much happens during that time which makes the events within that more powerful. It's no wonder Rhys and Alina have such a rough time adjusting. They are literally bludgeoned with drama! Here's a shorthand calendar I used to ensure my time references were correct. As basic as it might appear, it was instrumental in keeping everything in check.
|
While writing, I usually play with images and colors, photo effects and scenes to get an idea of what I want for the book cover. Most of them are not good, but the process is a worthy one nonetheless. Here are some of the mock-ups for Rhys of Earth.
|